Performance & Installations
Where do I end and where does the space begin?
Installations and performances unfold as open processes, where body, objects and matter enter into relationship in real time. The action emerges through listening, chance and presence, creating perceptual atmospheres. Ink, movement and organic materials become part of a composition in which architecture, geography of place, collaborators and audience participate in the construction of a relational space. The practice moves through multidisciplinary languages and site-specific interventions, where the work expands beyond the gesture itself and opens into a spatial and immersive dimension.
Le installazioni e le performance si sviluppano come processi aperti, dove corpo, oggetti e materia entrano in relazione in tempo reale. L’azione emerge attraverso ascolto, accidentalità e presenza, costruendo atmosfere percettive. Inchiostro, movimento e materiali organici diventano parte di una composizione dove architettura, geografia del luogo, collaboratori e pubblico partecipano alla costruzione di uno spazio relazionale. La pratica attraversa linguaggi multidisciplinari e interventi site-specific, in cui l’opera si espande oltre il gesto stesso e si apre a una dimensione spaziale e immersiva.
Performance & Installations
Where do I end and where does the space begin?
Installations and performances unfold as open processes, where body, objects and matter enter into relationship in real time.
The action emerges through listening, chance and presence, creating perceptual atmospheres. Ink, movement and organic materials become part of a composition in which architecture, geography of place, collaborators and audience participate in the construction of a relational space.
The practice moves through multidisciplinary languages and site-specific interventions, where the work expands beyond the gesture itself and opens into a spatial and immersive dimension.
IT. Le installazioni e le performance si sviluppano come processi aperti, dove corpo, oggetti e materia entrano in relazione in tempo reale.
L’azione emerge attraverso ascolto, accidentalità e presenza, costruendo atmosfere percettive. Inchiostro, movimento e materiali organici diventano parte di una composizione dove architettura, geografia del luogo, collaboratori e pubblico partecipano alla costruzione di uno spazio relazionale.
La pratica attraversa linguaggi multidisciplinari e interventi site-specific, in cui l’opera si espande oltre il gesto stesso e si apre a una dimensione spaziale e immersiva.
MUD SONORA no mud no lotus
A performance piece, combining *Butoh* dance, *Chinese Ink* Live Painting, *Clay* Live Sculpting and *Experimental* Music; as the culmination of the ‘Golden Week Ibiza’ and the ‘No Mud No Lotus’ workshop
Could you be matter? CLAY INMERSION, OPEN STUDIO DAY COLABORATION. IBIZA 2021
Echoing the Tremble. Q. MediaTrend, Torino 2026
with Giancarlo Carrisi and Ivan Guerrera.
GIVING BACK TO NATURE a living breathing work of art
Imagine yourself a tree with your roots, buried deep in the ground
how do you perceive? what’s happening around?
If you were the earth, the soil, the land…
what would you understand of these transitions at hand?
Curators and Creature:
@liz.kueneke
